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Miles of Aisles is the seventh album by Canadian singer-songwriter Joni Mitchell, released in 1974 on Asylum Records. It is her first live album, a double documenting her concerts in support of the Court and Spark album with her backing band for the tour, the L.A. Express. It reached #2 on the Billboard 200 and became one of her biggest-selling records, certified a gold record by the RIAA.


Carey” originally from the 1971 album Blue. It was inspired by her time with a cave-dwelling hippie community in the village of Matala, on the Greek island of Crete.

The song is sometimes rumoured to be about fellow singer-songwriter James Taylor, who plays guitar on some Blue tracks (although not on “Carey” itself) and with whom Mitchell had a brief affair. However, Mitchell has stated publicly that the “Carey” in question was a memorable character named Cary Raditz (or “Carrot” Raditz), a cane-carrying chef with bright red hair that she met in Matala during her European odyssey of 1970. Other references to the village and the al fresco hippie lifestyle abound in the song lyrics, most notably to Matala’s now-named Kymata/Waves Restaurant (called The Mermaid Café in the song). Mitchell frequently introduced live performances of “Carey” by recounting anecdotes about Raditz and their Cretan adventures.

In November 2014, The Wall Street Journal published interviews with Mitchell and Raditz, about the background to the song.

Max Bennett (born May 24, 1928) is an American jazz bassist and session musician.

Bennett grew up in Kansas City and Oskaloosa, Iowa, and went to college in Iowa. His first professional gig was with Herbie Fields in 1949, and following this he played with Georgie Auld, Terry Gibbs, and Charlie Ventura. He served in the Army during the Korean War from 1951 to 1953, and then played with Stan Kenton before moving to Los Angeles. There he played regularly at the Lighthouse Cafe with his own ensemble, and played behind such vocalists as Peggy Lee, Ella Fitzgerald, Joni Mitchell andJoan Baez through the 1970s. He also recorded with Charlie Mariano, Conte Candoli, Bob Cooper, Bill Holman, Stan Levey, Lou Levy, Coleman Hawkins and Jack Montrose.

Bennett recorded under his own name from the late 1950s, and did extensive work as a composer and studio musician in addition to jazz playing. He played bass on many records by The Monkees and The Partridge Family, and was one of the musicians Frank Zappa used for the Hot Rats project. He also played on later Zappa albums such as Chunga’s Revenge. His studio work also included bass on the Lalo Schifrin soundtrack to the 1969 film Bullitt as well as Greatest Science Fiction Hits Volumes 1-3 with Neil Norman & His Cosmic Orchestra.

Bennett continued with his own band, L.A. Express, which included Joe Sample, Larry Carlton and John Guerin, under the leadership of  Tom Scott. After this band, Bennett formed his own group Freeway, and currently heads his most recent band, Private Reserve.


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